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The last words by Aldous Huxley were about William Shakespeare, not being surprising that he alluded to the playwright in almost all of his novels and essays. Huxley uses Shakespeare to analyze society, through art, passion, and progress. The pattern used in his novels is not just technical or structural, but one from a creative artist like Shakespeare.
The title of Aldous Huxley’s most famous novel, Brave New World, comes directly from William Shakespeare’s The Tempest, ‘How beauteous mankind is! O brave new world, that has such people In’t.’ The quote marks the beginning of many incarnations in a new reality created where the dystopian future portrayed has numerous aspects from the Shakespearean play. The Perfect World compared to The Tempest helps us understand the disparity between happiness and passion, and the non-possibility of both at the same time. Through the essay, I will provide a new interpretation of the characters from The Tempest into a new world, which works as a mirror to the real one. Morals and ideas will also have an important role like the new human beings, joining the past and the present constructions for a perfect future. The allusions of Shakespeare collide with Huxley’s narrative: the past full of morals and values with a progressive and apathetic new world. In the end, the warning about sacrificing beliefs for happiness is a contrast to the passionate world in The Tempest.
Otherwise, the title of Time Must Have a Stop is also a direct reflection of Henry IV Part I, where Hotspur’s last words are ‘But thought’s the slave of life, and life time’s fool; and time, that takes survey of all the world, must have a stop.’ Time Must Have a Stop is a direct representation of the psychomachia both characters suffer. Huxley’s protagonist has three different choices to look up to, each of them, being a reflection of his society and a parallel to the personality of the Shakespearian character. Through them, I will explain the struggle between mind and body, where each new character in the novel will suppose a variation of the protagonist, counterpointed the same way as the main character in the Shakespearian play. All in all, Huxley’s protagonist will be a reflection of the Shakespearean one, they both will have a poetic instillation as a prelude to a spiritual awakening.
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